Sunday, 23 August 2015

Showstoppers - Pleasance courtyard Saturday 22nd - ***** - yes, that's this year's 5 stars

It was pissing down outside as our queue observed, and our compere reminded us as we dquelched into the comfortably cosy cloth cushioned seats. I couldnt help chuckling about the poor wee souls who would have to stand with hair dryers drying each and every one, but a nudge in the ribs brought me to order.

Showstoppers opened with a little bit of audience participation to set some general guidance for the show and the cast before the improv team set about their job, improvisation. On Saturday night with the help of the audience, Sean McCann edited our evening into Strummthorpe - the world air guitar championships set in Scunthorpe with music and chat at the mercy of the cast.

Random in every sense, hysterically assaulting all the senses. When you find that your making a bar chord in time with the music you know you've lost control of your sense and I surely did.

Ruth Blatt was outstanding as the current world champion of air guitar and despite the assualt from the across the pond, even at the outset there could only be one winner. You know its improv, you know the cast will take you on an adventure, but trust me, Ruth was winning that championship in 45 minute time.

The story line unfolded and MC turned narrator Sean McCann would occasionally give them a rest, cast them off in a new direction and the cast were loving it. Talk about throwing a dog a bone, Adam Meggido would slalom in as Elvis and at the behst of some nonsensical audience participation we were treated to an improv operatic diversion that Lloyd Webber would doubtless want to applaud. The singing was superb and the dialogue to die for, straight faces must've been tough for all the cast.

Pippa Evans & Nell Mooney had this great mother daughter sister thing going on while the love interest that was the geeky air guitar bassist Justin Brett absolutely aided the absurdity adding amps and cranking up the atmosphere at every octave.

Some picky bastard sitting next to me told his pal that one of them was playing Em7 all the time and I just collapsed. The audiences really join in during improv. I nudged him and suggested that Nell seems to be playing Iggy Pop's the passenger in open chords and to quote the Temptations "that aint right", surely this song was a 12 bar blues number.

Salvador Dali would be proud of the way Showstoppers melted time and no sooner had we arrived in 1961 and we had our homage to Buddy Holly, Elvis was suddenly in the building and fresh back from his time as a GI would become related to the cast. Time didnt just melt as Elvis stepped into his tardis, we moved through the 5th dimension, even Ruth air guitar had been moved to a different location.

Open stories develop differently in the audiences head and this story line was open and consequently brilliant. The performed and abstract narrative developed seamlessly, the musicians were outstanding and all the singing was a shining example of how much talent was on our stage. I feel very very fortunate to have such theatre explode upon my senses and at the ridiculously reasonable price of nothing. Our darling daughter treated us to the £14 tickets. In Edinburgh during the Fringe, they say £14 doesn't buy you much -

HELLO!!

Shop wisely Shop Showstoppers - these are performers in their prime and buy the box set for your Christmas, it might not be on sale, but like any good air guitar just believe it is!


#Edinburgh Festival Fringe 2015



Notes to all - Deadbeat is responsible for all typos inaccuracies and nonsense it writes, apologies for all the mistakes.

Deadbeat only write 3 or 4 reviews as bad reviews are pointless. If I tipped race horses I'd tell you about the ones I really thought should win, not the hopefully next time....We only write about things we really are enthusiastic about. We might attend 20-30 shows but as in the 80's our policy is only to talk up what we like - unless of course your the erse sat next to me talking about Em7. I'm sure I always played saxophone by lifting my knee to me jaw and playing my tibia - but cmon pal - go with it.

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